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It often occurs in nature, however, in the coloring of bird feathers and butterfly scales, and on the elytra of brightly colored beetles …

By slowly backing away from the painting, to a distance where the pigment and surface sculpturing blend together, the overwhelming beauty of the olive-colored Madonna emerges as if by magic.” This, along with an iridescent quality of slightly changing colors depending on the angle at which a person looks and the fact that the coloration in the image was determined to have no animal or mineral elements (synthetic colorings didn’t exist in 1531), provide a lot of seemingly unanswerable questions. One of the first things skeptics say about the image is that it somehow has to be a forgery or a fraud, but every time an attempt has been made to replicate the image, the original never seems to fade, while its duplicates have deteriorated over a short time.

It looked beautiful when painted, but not eight years passed before the hot & humid climate of Mexico caused the copy to be discarded due to faded colors and fraying, broken threads. Orozco said, no scientific explanation is possible for the fact that “the original Tilma was exposed for approximately 116 years without any kind of protection, receiving all the infrared and ultraviolet radiation from the tens of thousands of candles near it and exposed to the humid and salty air around the temple.” That’s awesome. 9, the day of the unveiling, is barely two weeks from Christmas…).

Finally, one of the most common attributions and reported discoveries lie with the Virgin’s eyes in the image. Jose Alte Tonsmann, a Peruvian ophthalmologist, conducted a study, one of his tests involved examining the eyes at 2,500 times magnification.

The only damage that occurred in close proximity to the tilma was a hefty brass crucifix, which was twisted and bent back by the blast.

I hadn’t until a teenager mentioned it in a comment on another article.

The shrine that was subsequently built on the spot, where the original tilma can still be seen, remains one of the most popular pilgrimage sites in the world.

But this article isn’t about the whole apparition story so much as it is about the tilma, Juan Diego’s cloak, on which the image of the Blessed Mother was imprinted.

In 1785, a worker was cleaning the glass encasement of the image when he accidentally spilled 50% nitric acid solvent onto a large portion of the image itself.

The image and the rest of the tilma, which should have been eaten away almost instantly by the spill, reportedly self-restored over the ensuing 30 days, and remains unscathed to this day aside from small stains on the parts not bearing the image.

I’ve also had several requests from concerned parents asking for a review.

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